Thursday, 16 January 2020

For inclusion in the new edition of, ‘Of Demons and Blue Moons’.


For inclusion in the new edition of, ‘Of Demons and Blue Moons’.

Copyright©2019_AndyFarman




Place - Sky Citadel, the capital of the Sky Realm in the supernatural world. An hour before dawn.

Characters - Scott Bennett, former cab driver and Royal Marine, now in service in the dimension of the supernatural as squire to an ever young and beautiful demon hunter, the time and dimension slipping warrior princess, Aimee Adriana, although most know her simply as, ‘Fae’, since her expulsion from the faerie realm, hundreds of years before.

She laughed at his expression.
“Fidelity is not one of my requirements when I take a lover, Mr Bennett, and none whom I take to my bed are under any illusion that I will remain faithful to them. Faeries never are, even less so those with a demon in the genepool, such as I.”
He was sat beside her on the bare granite of the battlements, cleaning and oiling his Model 1911 .45. He reassembled the weapon, inserting a full magazine, cocking it and applying the safety catch before holstering it, for what use is a firearm that is unready for instant use?
The metallic sound of the action drew stares from the armed and fully armoured werewolf sentries on the nearby walls, their yellow eyes looking at the firearm, but with only passing interest. They understood edged weapons, claws and fangs, not devices from the world of humans, so the light of guttering torches and braziers showed them turning back to resuming their staring out into the black night.
“And you, Princess,” he asked of the beautiful girl beside him, naked but for jewellery and his cloak, draped across her shoulders. “Have you never remained faithful, not even when you were in love?”
“I did try once, but that is another story, and fidelity is a human expectation, one that is not always lived up to, whereas Faevolk are not so inclined, but we are not dishonest. My last love was human, and he was already married to another, so rest assured he was not faithful to either of us, but his wife loved him with a depth that equalled one’s own. When he died, quite suddenly, she immersed herself in a quest to ennoble his name, whilst I sought out the poppy, which he had introduced me to.”
“Drugs,” Scott was disapproving. “So it was he who got you hooked on opium.”
“Nobody makes me indulge in anything against my will, Mr Bennett. He was writing a study on sexuality and I was the test subject in the chapter dealing with narcotic use and coitus. Though admittedly it was all rather surreal, one’s lover, very detachedly taking notes whilst an artist sketched, and I indulged myself in orgies whilst high, as one is wont to do when an opportunity arises.”
“So where is this work, was it ever published?”
“No, his wife sought to cleanse his reputation, post mortem, and the book, all but one page, was burned, as was every scrap of his research. The surviving page bore my portrait, beautifully rendered in pen and ink, which she issued to the staff at their home. With my picture came an order that of all his admirers who may wish to enter the grounds and view his mausoleum, I alone was to be denied entry.”
He said nothing, just watching how that still hurt after more than a century.
“I did of course gain entry, and she set the dogs on me… or rather she attempted to do so, but what dog would dare molest the offspring of the hellhound, hm?” Her smile was somewhat wan, though. “Of his many lovers, it was I whom she most feared, the one he was most likely to abandon her for, or at least that was her assumption. I knew he loved me, in his own way, but I knew that she was always his true love. I therefore have but two mementos, a shirt he had left in my tent, in India, where we first met, and a soldier’s pith helmet, which was immensely more functional than one’s riding bonnet.”
Scott recalled the man’s shirt she had worn shortly after their first meeting, its fabric thin with age and use, and her statement that it afforded her comfort. The pith helmet would be the one that appeared beneath his hospital bed, along with other items and the large bag. He had never asked about the curious cap badge, depicting as it did, in silhouette, a nude young woman, with long flowing hair, astride the back of a rearing tiger, and now was not an appropriate moment.
“Who was he?”
“A soldier, an explorer, a linguist, author and translator, Mr Bennett. He was, Sir Richard Burton, although when we first met, during the mutiny, he was a humble lieutenant and, in his words, “fit for nothing but to be shot at for six pence a day". He was with Beatson’s Horse, whilst I was secretly tracking down the main culprit in starting the whole mess, a demon in human form. India was in turmoil, and quite unsafe for a young lady to travel alone and unmolested, so one rode with the colourful ‘Beatson’s Horse’ for a month, if one can describe side-saddle as riding, but I do so enjoy the smell of a campfire and sleeping under the stars. I treasure those weeks in India, indeed.” Fae sighed wistfully. “We followed different paths, and it was not until he lectured at the Royal Society, in Holborn, that they again crossed.”
As always, he was interested in her past, but the events in Ahuja still remained unexplained
“And Leon?” Scott prompted.
“I have loved six times and mourned beside the graves of five. Prince Torvelin of Estar; Bellatina, a slave girl from the Eastern kingdoms; Peridale, the first Fractured Lord, Sir Richard, and King Leon, the Luna Knight, to give him his official title.”
“And the sixth?”
She did not immediately answer; instead she ignored her glass and drank from the bottle before pausing, as if choosing her words before speaking.
“A mistake.”
Reaching behind the gold chains at her left ankle, she retrieved a small, soft leather bag that she had secreted there, but her movements were not as adroit as they had been.
The withdrawal shakes of the addict were causing her fingers to become awkward and she fumbled the simple act of undoing the thin leather strap that secured it.
Scott reached over and took it gently from her, deftly untying the strap and opening the small pouch, which contained only enough hand rolling tobacco, cannabis leaf, and opium powder, contained within a tiny twist of paper, for a single joint. The cigarette papers were older than he, judging by the art deco design on the half empty packet.
‘Abadie’ Papier à Cigarettes
Opening the cover, he saw several signatures and a dedication.
à Mimi, celui qui est parti’ MC.
“To Mimi, the one that got away,” translated Scott. He did not know who MC was, but after squinting at the small signatures he looked at Fae in surprise.
“Scott Fitzgerald, Henry Miller, Ernest Hemingway and Salvador Dali?”
“And Maurice Chevalier, whose pet name for me was, Mimi.”
“Didn’t he sing a song about someone called Mimi?”
“Perhaps.”
Scott prepared her joint, carefully sprinkling the opium along its length before rolling it for her.
This time, he flicked open his zippo with a metallic click.
She gripped the reefer between her perfect and pursed lips, though requiring elegant fingers from both hands to quiet the tremors as she held it to the flame. That small flame illuminated her beautiful face, and it wrenched at Scott’s heart that one so lovely could be unable, or unwilling, to escape the grip of opium’s terrible addiction.
She inhaled, the trembling in her hands gradually giving way to calm as all of her troubles were lost in the poppy induced tranquility that settled upon her.
After a minute or two, she spoke.
“I spent a lovely summer in France and met Maurice at the Casino de Paris, where he was a headliner, and he thought me to be the mysterious, Princess Aimee, a refugee from the fighting in the Balkans and sole survivor of an obscure royal line.”
She smiled at the memory.
“He introduced me to the other Scott, along with the original Rat Pack, decades before, Sinatra and Co, hijacked the title.” She grinned as she spoke. “Salvadore, Henry and Ernest, who were all complete gentlemen, I must add, not at all as history has painted them.”
She closed her eyes, her upper body swaying languidly for a few moments, lost to a 1920’s tune that only she could hear.
“They defended my honour, on several occasions when one had been deliberately plied with a rather wonderful 1905 Veuve Clicquot, by a roguish silver fox of a Russian archduke.”
She took another toke from the reefer, smiling gently in recollection.
“On the last occasion, they invaded the Hotel George V and employed a bust of Napoleon as a battering ram to force the doors to the archduke’s suite. On affecting an entry, they then engaged in fisticuffs with the archduke’s retainers before rescuing me from the silver fox’s bed.”
Fae grinned, wickedly.
“One was laughing like a drain as Ernest carried me, draped over one shoulder and quite naked for all to see, down that wonderful winding staircase, with Maurice, Henry and Mr Fitzgerald, all valiantly fighting a rearguard action.”
“And Salvadore?” Scott prompted, noting that his name was not included with the rest of the retreating forces.
“Dear Sali, physical exertion was never his forte and whenever he felt the urge to exercise he would inevitably lie down until it passed… so he took the elevator to the foyer, where the Gendarmes’ were waiting in ambush.”
“They were arrested?”
“Indeed they were, and banned for life by the management, or until their next splash of fame, whichever came sooner.”
She sighed happily and brought the tale to its conclusion.
“So much wasted bravado and effort, for they lacked your impeccable timing, Mr Bennett, being too late by half, although, sadly, the contents of the archduke’s cellar were more potent than the man himself.”
Despite himself, Scott laughed aloud.
“One simply lacked the heart to reveal that their efforts on behalf of my honour were all for naught,” she continued. “That ship had sailed long before, cruised the oceans and all seven seas, visiting too many ports to number. Been reflagged, renamed, had mounted many a diverse main mast, and had her bottom scraped a time or ten.”
She watched him, with a soft smile on her lips and a little wonder in her gaze as her words reduced him to tears of laughter.
“But only you, dear Mr Bennett,” she whispered, too quietly for him to hear. “Only you could see my every new day as being that of a maiden voyage.”
Scott put his arm back around her as she rested her head on his shoulder, and sat quietly, watching the horizon turn cobalt, the vanguard of a new day.
He enjoyed the dawn, it recharged the spirit, and it was not until the sun was revealed in its entirety did he realise that Fae was asleep and he was therefore alone with her, his beautiful  princess, but had she been a plain pauper in rags he would still have thought the moment to be pretty damn special.

Tuesday, 20 March 2018

Please support my writing on Patreon

Three hospital admissions, five surgical operations and procedures in five months, have me back on the road to recovery but my medical insurance did not cover it all, so my budget for writing and commissioning book illustrators was wiped out.
Just $1 a month would be of immense assistance in getting the books completed and published once more.
Have a look at the page and see what is on offer, as just looking will not cost anything.


Thank you for your understanding and support!



Thursday, 8 March 2018

'Of Demons and Blue Moons - Warrior Princess'

Being such a long lived character, Fae had a lot of previous adventures that were only mentioned in the first in the series, so I am currently writing 'Warrior Princess', with its fabulous original cover by Yuri Platov.
It is a series of short stories, starting with Fae's time as a scout for Alexander The Great during his conquest of Persia.


Thursday, 17 August 2017

My guest spot on radio, the 'Paperback Writer' slot on Impact Radio USA, in Detroit.

My thanks to Paul Reeves for leading me through my first guest spot on radio, the 'Paperback Writer' slot on his show Dr. Paul's Family Talk at Impact Radio USA, in Detroit.

Tuesday, 27 June 2017

'Of Demons and Blue Moons'



'Of Demons and Blue Moons' - the writing for the new edition is now complete and I just await the artwork for the new interior illustrations commissioned from Sanju Nivangune, Yuri Platov, Richie Pulvera and Fabrice Fermont with the kind permission of Katya Clover and Tracey Elvik, whose likeness are the reference images for the lovely ghost, 'Clover Iwasaki', and the beautiful, but evil, 'Lilith', queen of witches and succubus.

Cover by Sanju Nivangune


Cover by Sanju Nivangune

  'Of Demons and Blue Moons 2' - the writing is underway and in addition to Tracey and Katya I have three new models, Julia Yaroshenko, Luana Lani, and Natalia Andreeva, aka, Delilah G, who have also given their permission to become the references for 'Pixie', a legendary tracker, The Crimson Witch, the time slipping creator of Fae's 'Sword of the Dead', and Princess Natalya of Paladin, a warrior and mercenary.

'Shaw-USMC: Soldiers, Spies and Lies'

The second in the 'Henry Shaw' prequel to the WW3 series, opening again with more back story on his father, and role model. The veteran Dwight Shaw, now a major in the reserves, recalled for service in Korea in 1950 and serving as temporary company commander of an infantry company during the invasion of North Korea.

Henry, in Vietnam, survived his wounds from the firebase siege but is now being pressured into revealing the identity of Duan, the monk who had told him of the North Vietnamese arms cache.

Terry Jones, CIA, is involved in the plot to oust President Diem, but he has already discovered that not all the plotters are working off the same hymn sheet.

Megan Granger-McVanie, CIA, is still attempting to discover if their is a mole at work, in the embassy or in the CIA offices. To complicate matters, her cover may have been blown on a separate assignment and her life is at risk.

'Shaw-USMC: Soldiers, Spies and Lies'


Cover art by Sanju Nivangune

Tuesday, 9 August 2016

Writing and publishing tips

I am not an authority on publishing, but I have experienced the pitfalls, however, this free advice is not an exhaustive guide so feel free to PM me with questions.

Unfortunately, no matter how good, or bad, your book is, 90% of the writers services out there, including well-known companies, will say what you want to hear just to get your money.
No matter how good or bad the book, 100% of 'Book to Script' services are lying to you, unless of course you are already a top ten New York Times acclaimed author, your book will not be in a Hollywood producer’s hands by Monday week.
Penguin, an established company, have been prosecuted, due to the above, with their proof writers also adding errors to ramp up the cost, in addition to an ongoing right to a percentage of royalties on top of $500 for simply typesetting, formatting, and pressing an ‘upload’ button. (They offer to sell you a how-to to do it yourself, and they charge $200 for that.)
*Quite honestly, it is not that hard, and there are templates for typesetting paperbacks that work perfectly for eBooks, and free, step by step videos on YouTube for converting Word into eBook format, that are very easy to follow.*

If you do have a spare three grand for editing, but already have a great cover, too bad, they only do packages of services and will charge for cover work that you do not need and they never actually do, but that part of the package sets you back $400.










Stock Cover
Privately sourced, a book cover can cost between $5 and $500, with the low end being off-the-shelf and not necessarily relevant to your story, whereas the other end of the scale is a bespoke piece of original art, but I will come on to artists later as they are a separate headache for the uninitiated.
Bespoke Cover

If you go to the small ads it is worse, with many editorial services making the manuscript only slightly more readable. Some foreign language translations can charge £10k for 100,000 words, but by using google translate they turn it into farcical Yoda type dialogue, all done inside of a fortnight.
"Much anger you have....”, and rightly so.
Brace yourselves, the actual cost of translating 100,000 words is at least twice that amount and will take 4-6 months as it also requires foreign language proofreading by an independent editor. The estimate for translating my first book series (662k words) into French was £128k, so obviously it is only available in English.

If you do start hitting the keys, with a view to becoming the next Harry Cole, or George RR Martin, you run into the new writers Catch 22.
You cannot send manuscripts to publishers, only accredited agents can do that, and agents will only take on clients who have a celebrity status, or who have previously been published (traditionally, not independently).
There is even the class snobbery that I encountered, “Great story, but you don’t have a college degree in sociology, media, or the arts” to be dealt with.

*I am not usually a fan of anyone using back door advantages, but as the odds are stacked against most of us, I would advise using any family, or friend, connections you know of with agents and publishers in order to give your manuscript a chance, if you go the traditional route.*

The guidelines are set in stone so get it properly edited and proofread, and of absolutely not one word over 100k or it goes in the recycling.


 Trad – v- Indie

Traditional publishing reaches a wider audience, so potentially you receive greater royalties, however, the books have to be absolutely no larger than 100k words, the publishing house takes a share of the royalties, plus it may bill you for advertising, and they pay your royalties to your agent, not to you.
Traditional publishers will pay out every three months and they also have you by the family jewels as they only print what they think the public like, i.e., whatever is 'trending' (I hate that word).
You will write for one market, America, and you may have a great book on the go about Cornish Pixies, or a contemporary Pride and Prejudice, but if they say that they want hot looking teenage, vegetarian vampires, who walk by day, or Elizabeth to be a submissive who is attracted to a billionaire called Darcy, despite his ropes, whips and shackles, you write their version or you don't get published.
You should also get a professional to check the fine print of any contract; it is not unknown for the publishing house to own the copyright of everything you write for a stipulated period, even unpublished work. In such cases you will have to buy the copyright to your own work if you want to try another print house.

Indie writing will never be as cool as being in an indie band. Many publishers will not entertain anyone who has been independently published, and bricks and mortar bookstores will be cutting their own throats if they stock your work, as the big publishers will cease to supply them. Very unfair, but quite legal due to the EU.
eBooks are a viable alternative and they were exempt VAT until the big publishers persuaded the EU to cancel value added tax on paper books and load it onto eBooks, where most indies dwell.
I can still pay the bills, and I sell a few more paperbacks and hardbacks than before, as a result of the EU action, but eBooks are where the money is.
I once wrote eBooks for all the online electronic publishers, Apple, Barnes & Noble, Smashwords etc, but only Amazon will plug indie books and I know this because I could not have fed a goldfish on the sum total of the others sales. The others push what the publishing houses pay them to promote, not Indie work, and, Apple is far more interested in music and film. Apple iBooks site is badly indexed, without even an icon of the book covers or descriptions of the story.

Interior illustration for eBooks on Kindle

Learn to read and write HTML/CSS code, or easier yet, just pay a teenager to do it.
Amazon Kindle use a code called MOBI, which was written in the 90s, and Amazon still use MOBI 0-0-1, which will not convert images properly on anything except kindle readers, iPads and iPhones. The images are tiny on Tablets and everyone else’s smart phones.
If you do not do this, Amazon will take your book down.

Artwork

If you go for traditional publishing then do not bother. They stylise it, and any existing cover will be binned along with interior images.

As an Indie, bear in mind that a book cover is a ‘lure’; it has to catch the eye, even as a 1” x 1.5” onscreen icon. Dark colours do not do that, no matter how beautiful the work, so choose colours wisely.















I used Photoshop to create the first five of my covers, but my advice is that you should probably get a professional, not your neighbours son or daughter who has an O Level in art. 
A bad cover repels potential buyers.


Artists

You have to pay at least half upfront, and in $US, even for proof of ability, so do not ask for freebies, even from unknowns, and get yourself a PayPal account before looking.

Many artists, even the established ones, are often flaky, up themselves, or both. Getting the image you paid for, and getting it in this lifetime, can be akin to herding cats.

A website is not proof of ability, nor the photographic evidence that it displays.
I found a very affable gentlemen who had an encyclopedic knowledge of comic book art and sword and sorcery novels, plus their cover artists and interior illustrators. He had been a fan of the artwork since his youth and had spent his redundancy payout in an attempt to emulate Frank Frazetta, McClaverty, Ken Kelly etc etc, as an artist. His proof of ability was impressive, but nothing that followed was anything near as good.
I have five beautiful ladies, all serving or retired glamour models, Katya Clover, Tracey Elvik, Julia Yaroshenko, Rachel Garley, Luana Lani, and Natalia Andreeva, aka, Delilah G, who permit me to use their image as artist's references for characters in book illustrations. In return, they get the original artwork to frame, but obviously the image has to be flattering, and this particular artist managed to turn them into 40+, haggard and in no way resembling the character.
Whoever drew the proof of ability image is a mystery, but it certainly was not him.
He returned my deposit without argument, and I hope that he does eventually achieve that skill which he needs as he really was a nice guy. 
There are more fakes and wannabes than there are real artists

An email agreement is a legally recognised contract, so remember that.

Even if you are not much of an artist, it can save time and money to remember that a picture paints a thousand words (plus, English may not be your artists first language)  and if, for example, your story involves a beautiful exotic dancer distracting werewolf sentries, then roughly draw it, like this, or patch and paste images together, so that your artist knows what you are on about.





When you are establishing working practices you will want to see a sketch of what you have described (or sent them along with your own rough image). Some artists will state that they will only make a set number of free changes before charging extra, but it is up to you, every artist is different, however, never be tempted to make changes yourself without at least asking their permission, or first buying the copyright. They own the work, even if you paid them to create an image that was your idea. Your book could be banned and you could wind up in court as copyright gives an artist tremendous power, for example, if you ask for a book interior, or cover, and print off a copy to frame on your wall, you are breaking the law if you did not buy the copyright first. Additionally, just to drive home the power of copyright with another example, in theory, a portrait artist can sue you in order to hang wallpaper that does not detract from the impact of his masterpiece.  

Colour interiors quadruple the books minimum retail price and therefore hinders sales.

Complex images (too much background detail) do not translate well onto smart phone screens, so keep it simple






.

Ensure all images are at least 300DPI/PPI (Dots Per Inch / Pixels Per Inch) but a higher DPI is better if you want images on Amazon Kindle as they greatly compress the book files on uploading, resulting in loss of high definition.

Use 'Microsoft Office Picture Manager' to reduce, or increase, the size of an image without losing image definition.

     Audio books



     Audio books are the only format I have not published in, but I looked very carefully at the possibility as it can also be achieved online.
For a traditionally published writer, it is doable IF the publishing house picks up all the costs.
For an Indie of limited means, the cost of voice actors, and the major chunk of royalties the audio book publisher claims, is prohibitive, and if you offer the actor(s) a percentage of the royalties by way of payment, you will be unlikely to ever see a profit.
That, at least, is how it currently stands with audio books.


No Links for myself as I am not after anything in return, but links for the Indie hearted and also to my favourite, very reliable, artists for book covers and interior illustration. 

Sanju Nivangune (covers, line work and digital painting of 'Shaw' and 'Of Demons and Blue Moons', traditional pencil for Katya Clover as 'Clover Iwasaki', and Tracy Elvik as 'Lilith' for OD&BM2's cover.)

Yuri Platov - Yuri speaks some English, which is fortunate as Google Translate is truly awful at Russian.

Natalia Andreeva as the Griff (Griffin/Dragon hybrid) riding warrior princess, Natalya of Paladin.)
Richie is gifted, she produces very detailed pencil portraits.  (Luana Lani as a witch who prefers aircraft to broomsticks, and Natalia Andreeva as 'Princess Natalya of Paladin')
Richie Pulvera - Traditional graphite pencil

Get started as a Kindle writer

Print-On-Demand Paperback (absolutely free, the books are only printed when ordered.)

Print-On-Demand Hardback (again, it is free, but the Createspace templates are 100% better. However, you can use the Createspace templates on Lulu’s upload system without bother)

Word to eBook formatting vid by Ben Macklin for PC, *but do not do the patch and paste to notebook, not for Kindle books, save it as an RTF file instead, otherwise it removes all italics and styling as well as the HTML unfriendly code that is hidden within Microsoft Word*.
https://www.youtube.com/watch?v=ET1Z270rdlQ


Word to eBook formatting vid by Tom Corson-Knowles for  MAC https://www.youtube.com/watch?v=8sMzotvhGQg

But never forget, at the end of the day the fiction writer will never be as popular as a rock star <sigh>


Sunday, 17 April 2016

'Shaw - Lt: USMC'



Well, the writing of Shaw went on and on, passing 200k words and looking to need another 30-50k to finish the tale, so I have made his story into two books, with 'Shaw - Captain' still ongoing.
Great map work by Nathan Anderson, nothing too complex but HD enough to storyboard the action. Great cover by Sanju Nivangune.

The first of two prequels featuring Henry Shaw, USMC: Terry Jones, CIA and Peter Dawnosh, Royal Marine Commandos.

In the WW3 series, Henry was Chairman of the Joint Chiefs, Terry was Director of the CIA and Peter Dawnosh was Prime Minister of Great Britain, but in 1963 they are in a place that few Americans had ever heard of, Vietnam.

The country is under attack from the communist North but within its borders it is a  cauldron of dissent due to corruption and religious persecution.
With surplus equipment and a shoe string budget, US advisors are attempting to train and equip the South Vietnamese  armed forces to defend themselves in order that the USA can withdraw.

2Lt Henry Shaw, USMC, is an advisor and assigned to a firebase close to the border in Quang Tri Province. Henry will not compromise in terms of honour and integrity and this brings him into conflict with the commander of the ARVN special forces for the province.

Major Joshua Washington, US Army, Korean War veteran. Despite racial prejudice, Joshua came up through the ranks and he is determined to fix the flaws in modern US military thinking. Infantry skills have been lost due to an over reliance on missiles to win battles and wars. Joshua knows that poor training costs lives, but that is not going to happen on his watch, not if he can help it.

Lt Peter Dawnosh, Royal Marines: Peter comes to Vietnam as an observer with three other instructors. The 'Empire Quartet', as they are known, a Brit, an Australian, a Gurkha and a Maori, all veteran jungle fighters with experience in post-WW2 Malaya and Borneo, and unwilling to passively observe from the relative safety of a firebase.

Terry Jones, a young CIA field agent who left four East German agents dead in the snow of a Berlin park, is now in Vietnam with a new cover, that of a First Officer with Air America. Terry has a key role in a forthcoming major operation, but is a mole in CIA Station - Saigon feeding intelligence to their hosts and to the communists?

Megan Grainger-McVanie, CIA operative with a near-genius IQ. Megan specialises in pillow talk, using her cover as Bethany Robertson, an air hostess with loose morals and an eye for rich, powerful men. So far, two operations have been blown, seemingly by accident. Megan must discover if a leak exists, and the mole's identity, before the country can be saved from itself.

Small unit actions, firefights on jungle trails and The Almo re-enacted on a lonely hilltop, far from home. These are combined with a tale of political corruption and the murky world of espionage in 1960s SE Asia.

Excerpt:-

Henry, three advisors and a dozen Montagnards were firing at targets they could see, and into cover from which muzzle flashes or gun smoke were being emitted. The roar of gunfire was deafening and with hardly a breath of breeze in the air the blue haze of cordite hung over the narrow river like an ever thickening blanket between the opposing forces.
This was not a contest they could win, their ammunition was limited to what they carried and they had to keep moving. The gunfire had pinpointed their position for all the enemy in the area and to stand and fight meant being pinned down and surrounded.
Joshua shouted to those on his right, pointing to himself, self-designating as their fire team leader before yelling at the top of his voice.
<i>“GO!” </i>
The advisors fell back ten feet, while the major covered them, keeping up the rate of fire.
Crawling low to avoid the incoming small arms fire that was chewing up the underbrush, filling the air with wood chips and diced leaves, the advisors then turned, resuming the firefight.
A Montagnard went down screaming, hit by shrapnel through the lower back, and Joshua grabbed a shoulder strap, dragging the slightly built man back into deeper shadow when he too was struck a blow and knocked on his face. He felt no pain and could not locate the wound although his right hip and thigh felt wet.
<i>“Break Contact!”</i>





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